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Get discounts on the paints I use and notice the difference!
This set is ideal for capturing the wide variety of hues, shades, and tints encountered in nature. It contains 11 ml tubes of Permanent Yellow Light, Cadmium Red Light, Quinacridone Magenta, Ultramarine Blue, Sevres Blue, Sap Green, Italian Lemon Ochre, and Burnt Sienna, plus a 37 ml tube of Titanium White.
Crisp and bright, these modern colors are an excellent choice for painters looking to supplement their traditional colors with higher chroma alternatives. The set contains 11 ml tubes of Permanent Yellow Light, Permanent Yellow Deep, Pyrrole Red, Quinacridone Magenta, Egyptian Violet, Phthalo Blue, Phthalo Green, Green Gold, plus a 37 ml Titanium White.
Explore some of Williamsburg's most unique "signature colors" with this set, which contains 11 ml tubes of Brilliant Yellow Pale, Alizarin Orange, Persian Rose, King's Blue, Courbet Green, Italian Lemon Ochre, Stil de Grain, and French Ardoise Grey, plus a 37 ml tube of Titanium White.
Interested in exploring a more traditional range of colors? This classic palette includes 11 ml tubes of Cadmium Lemon, Cadmium Yellow Medium, Cadmium Red Medium, Permanent Crimson, Ultramarine Blue, Cerulean Blue (Genuine), Raw Sienna, and French Raw Umber, plus a 37 ml tube of Titanium White.
Williamsburg is known for its unusual range of lustrous, iridescent oil colors. Try them with this set, which includes 37 ml tubes of Iridescent Pale Gold, Iridescent Copper, Iridescent Silver, Iridescent Pearl White, Iridescent Pewter, and Iridescent Bronze.
Clean, vibrant, and more translucent than other earths, these rare Italian colors are prized among painters. Primarily used in restoration, they are the very same colors made by Italian Renaissance painters and used by today's conservators. The set includes 37 ml tubes of Terra Verte, Italian Yellow Ochre, Lemon Ochre, Orange Ochre, Green Ochre, Pompeii Red, Rosso Veneto, Terra Rosa, Pozzuoli Earth, and Black Roman Earth.
Ivory Black is good for toning colors without overpowering them with darkness. In other words its a good mixing black.
Mars black is good for stand alone darkness in paintings, where you want dark shadow, depth and dark to light contrast.
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